Beyond the 9-5 (2016) uses concrete photography to explore a neoliberal work environment day to day as well as looking at the capitalism surrounding the materials found in almost every piece of clothing. By connecting my own clothing and body to the film, these large scale photograms act as self-portraits as well as reveal the generic material that makes up the clothing we use as individual identities. Some negatives were worn for hours, minutes or even seconds. This range of time helped to establish the irregular work hours that occur within society today.